We remember the mouth as a site of nurture, breath, aggression, appetite, language and even Knowledge: Through our mouths we originally come to know the world and differentiate ourselves from it.- read more
[…] The folks started arriving who knows out of curiosity or to witness the miracle. This morsel gleaming to become food. Mouths that were dyed with light while they smiled, bodies which paint their skin to dance to the sounds of music as if it were the last “Holy” offered up to those present. […]
The Fosfofagias are situations where light ingestion is performed. The spectator ingest the work becoming his body the medium where the image is registered.- read more
Black Ceramics are pinhole cameras made with clay taken from a river they have photographed. Inside, each contains a picture of the flowing water. In order to discover this image the object has to be broken. The image recorded inside is as ephemeral as water and will disappear after a few hours.- read more
It was getting towards seven in the evening and the food from the five stalls of that small town walled now by the modern city started to change as a result of the light. The sun started its descent and the night crept in as a stranger. The samosas, pakoras and jelabis began to glow like fireflies in the night, interfering in the life of the busying passers-by whose day still had hours to run.- read more
El límite que constituye lo cascáreo debita testa está sujeto a una condición de temporalidad, esto es, pasado un tiempo, la propiedad protectora del límite, la condición que posibilita la existencia de su contenido y que la constituye, ha de ser fracturada (o al menos cuestionada) precisamente por la misma lógica que la había hecho necesaria.- read more
Jabariega: six months exposure frame. Solar longevity altered seasonally, its inflection over the earth and its absence directly influence the clock shadow that temporalizes this place. Surely this inflection built us culturally and physically.- read more
17th January 2011, it is the colder week of the year at Goldegg. During six days we stayed under -20ºC to be able to freeze each part of the apparatus. The lens was build with a slice of ice extracted from an altitude lake. It was graduated with saws and knifes, to obtain the right optical curvature, and then polished with the warm of our hands to erase each imperfection generated in the process. The following night the lens was carried to the place where the camera would be built.- read more
Marentus is an optical beehive inhabited by a colony of honey bees, inside which were launched two parallel physical-chemical laboratories in constantstruggle. Subject of the same environmental conditions have allowed to transform the nectar from flowers into honey and the silver in an analog image.
To remove the negative honeycomb should be eaten and revealed.- read more
The exploration of the river limits: the inaccessibility, the inevitable temporality and the technologies that make it persist. Collective experiences based on the stay, survival and conviviality on the riverbanks. There are temporary collective spaces of research in which to create and re-memorize in an attempt to posses the uninhabitable: memory.
“Habitar” is a collection of collective actions and/or objects generated by the traces of these experiences. To live using caves as shelters, hunting with a slingshot, tree climbing, clay battles, to walk up the river… these practices are unfolded in small objects as “Documentation of 19 days living in a cave”, “Double Skin”, “The Oxygen Stones” or Hidronoma.